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PUBLIC MEDIA REVIEWPUBLIC INTEREST MEDIA · INNOVATION
PUBLIC MEDIA REVIEWPUBLIC INTEREST MEDIA · INNOVATION
innovation

What Innovation Actually Means: A Plain-Language Explainer

Economists, engineers and the public use the same word for three different things. Knowing which one you mean changes what counts as success.

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William Elliott · September 20, 2026 · 7 min read
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What Innovation Actually Means: A Plain-Language Explainer
What Innovation Actually Means: A Plain-Language Explainer

Innovation means putting a new idea to work so it creates value for someone. The key word is work. A prototype, a brainstorm, or a clever plan is not yet innovation. The idea has to be implemented, and someone has to be better off because of it.

The definition is contested. A survey of the academic literature found about 60 different definitions in scientific papers, and a later survey found more than 40 more. But the versions agree on the core: newness, improvement, and spread. That is the working definition this explainer uses.

Why should a journalist or editor care about a business-school word? Because borrow it constantly — new formats, new tools, new revenue models — and the word gets stretched until it means nothing. Untangling the three main uses makes it easier to judge whether a change is real or just rebranded.

What is the actual innovation definition, in one sentence?

The tightest one-sentence version comes from an international standards body. ISO TC 279, in the standard ISO 56000:2020, defines innovation as "a new or changed entity, realizing or redistributing value." Strip the committee language and you get three tests: something is new or changed, it is actually implemented, and it creates or moves value for someone.

That last test does the most work. A change that creates no value — for readers, customers, staff, or society — fails the definition no matter how novel it looks. According to Wikipedia's overview of innovation, most definitions share a focus on newness, improvement, and the spread of ideas or technologies. Novelty alone is not the point. Adoption is.

Everett Rogers, the American sociologist who studied how ideas spread, put it plainly: an innovation is "an idea, practice, or object that is perceived as new by an individual or other unit of adoption." Notice the word perceived. Something can be an innovation to one and old hat to another. Newness is relative to whoever is adopting it.

How is innovation different from invention?

Invention is making something that did not exist before. Innovation is making that something matter. The two overlap, but they are distinct, and the distinction is where a lot of confusion starts.

Merriam-Webster draws the line cleanly: invention is "a device, contrivance, or process originated after study and experiment," something that has not previously existed, while innovation can be something new or a change made to an existing product, idea, or field. Their example is worth memorizing: the first telephone was an invention, the first cell phone was arguably both, and the first smartphone was an innovation.

The smartphone case shows why the split matters. No single component in a smartphone was brand new. Touchscreens, mobile networks, and app software all existed. The innovation was combining and implementing them in a way that changed how people lived. Innovation often works this way — recombination and refinement rather than invention from scratch.

It also runs the other way. Not every innovation needs a new invention at all. Moving a service from one channel to another, or changing a workflow, can qualify if it delivers value in a new way. Management writer Peter Drucker framed it broadly: innovation is the means by which an entrepreneur creates new wealth-producing resources or gives existing resources enhanced potential.

What do economists mean when they say innovation?

Economists care about innovation because it explains growth that labour and capital cannot account for. In 1957, the economist Robert Solow showed that economic growth has two components: one from more inputs like workers and capital, and one from productivity. The productivity piece is where innovation lives, and economic historians have been trying to explain the process itself ever since.

The economist most associated with the concept is Joseph Schumpeter, who described the economic effect of innovation as "creative destruction" — new products and methods displacing old ones. That framing still shapes how business writers talk about disruption, sometimes to the point of cliché.

There is a sceptical wing worth knowing about. Some contemporary scholars argue innovation is not a neutral or apolitical process; it is socially constructed, and its direction depends on the political and societal context around it. You do not need to accept the strong version. But it is a useful corrective to the assumption that anything labelled innovative is automatically good.

What do engineers and business schools mean by it?

The practitioner definition is process-focused. Innovation, in this view, is not a lightning strike but a sequence: understand the problem, explore solutions, then implement and sustain what works. Harvard Division of Continuing Education instructor Ben Little describes these stages as "zones of innovation," and stresses that exploring multiple good ideas at once — rather than committing to the first one — tends to produce better outcomes.

Organizational researchers add a second split: creativity versus innovation. Creativity is the production of novel and useful ideas by an individual or small group. Innovation is the successful implementation of those ideas within an organization. A staff meeting full of good pitches is creativity. A pitch that ships, gets adopted, and holds value is innovation.

The textbook contrast is Netflix and Blockbuster. Netflix began as a DVD-by-mail rental service, moved into streaming, ran an open challenge in 2006 to improve its recommendations engine, and invested early in original content. Blockbuster, once the largest video rental company, passed on buying Netflix in 2000 and went out of business in 2010 after failing to adapt to changing customer behaviour. One company treated change as a process. The other treated it as a threat.

What this means for a small organization: innovation is less about the idea's brilliance and more about the follow-through. The idea stage is cheap. Implementation is where the staffing cost, the maintenance burden, and the honest failure show up.

How does this apply to journalism innovation?

Newsroom innovation usually looks like the smartphone case, not the telephone case. Text-message news, audio briefings, newsletter-first calendars, and automated transcription are rarely new inventions. They are existing technologies implemented in a local news context for the first time — which, by Rogers's definition, still counts. Newness is judged by the adopter. For related coverage, see Who Listens to Local Audio Briefings — and How a Small Newsroom Starts One.

That reading has practical consequences. If your newsroom launches a text-news service, the innovation test is not "were we the first anywhere?" It is "did readers adopt it, and did it create value they did not have before?" That is the same standard we apply when we look at why text-message news works where news apps failed. Adoption and value, not novelty for its own sake.

The same logic covers tooling choices. Choosing open-source publishing tools is rarely an invention; it is an implementation decision whose value shows up in cost and control over time. And a workflow change such as automated transcription in the interview workflow counts as process innovation even though no reader ever sees it.

Our analysis: the most useful test for a newsroom is the Tuesday-afternoon test. Does the new thing still work, and still create value, on an ordinary working day six months after launch? If yes, it was innovation. If it was a launch-week experiment that quietly died, it was a creativity exercise — which is fine, but call it what it was.

What should you take away from all these definitions?

Three plain takeaways. First, innovation requires implementation and value, not just novelty — that part is settled across nearly every definition in the literature. Second, newness is relative: something can be a genuine innovation for a six-person newsroom even if a national outlet did it years ago. Third, the word carries baggage. Because the surrounding discourse often assumes innovation equals progress, it is fair to ask who benefits from any change labelled that way.

For more coverage of new formats and experiments in the field, see the site's innovation section, where these ideas get tested against real newsroom cases.

Sources

  1. Innovation - Wikipedia
  2. What is Innovation? Definition, Types, Examples and Process
  3. INNOVATION Definition & Meaning - Merriam-Webster
  4. What is Innovation? - Professional & Executive Development - Harvard DCE

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Frequently Asked Questions

Is every new thing an innovation?
No. Novelty alone does not qualify. The standard ISO 56000:2020 definition requires a new or changed entity that realizes or redistributes value. An idea that is implemented but creates no value for anyone — readers, staff, or customers — is not an innovation, however original it is.
Can something be an innovation if another outlet already did it?
Yes. Everett Rogers defined innovation as something perceived as new by the unit adopting it. A text-news service can be a genuine innovation for a six-person local newsroom even if national outlets ran one years earlier. Newness is judged relative to the adopter.
What is the difference between creativity and innovation?
Researchers distinguish the two by implementation. Creativity is producing novel and useful ideas, by an individual or a small group. Innovation is the successful implementation of those ideas within an organization. A pitch meeting is creativity; a pitch that ships and holds value is innovation.
Why do economists care so much about innovation?
Because it explains growth that more labour and capital cannot. Robert Solow showed in 1957 that growth has an input component and a productivity component, and innovation is the driver of the second. Joseph Schumpeter earlier described its economic effect as creative destruction.